I thought I’d share this technique with you and demonstrate how I would go about building a classic analog kit.

In this screencast we show you how to use Rewire to access Propellerhead Reason from within Mainstage—which is part of Apple’s Logic Studio.

In the last tutorial on sci-fi vehicle sound design, we programmed the Combinator to control three main elements on both synths: Volume, Filter and LFO.

In this tutorial, I will be using the Malstrom synthesiser in Reason to create electronic tones that can be used while designing engine sounds for vehicles in the sci-fi genre of film and other video based media.

This tutorial will show you how you can build an organic sounding ‘super flanger’ using the RV7000 and a combinator in Reason.

In this tutorial we’ll be taking a look at how you can translate your step sequences to MIDI and apply groove to them and other parts using the excellent ‘ReGroove’ mixer.

This screencast concentrates on the new editing system in the fantastic Dr. OctoRex.

Using Thor in this way can certainly fill in the gaps in Reason’s effects collection and give you a whole new area of processing to experiment with. I’ll give you one example of how it can be used.

In this series of screencasts I’m going to try and give you as many Reason and Record routing tips as possible.

This first video covers the basics of the rack based channel strip device.